Meet IATSE Local 764 member Andrea Gonz\u00e1lez. She began her career in the entertainment industry in 1997, while she was living and moving around a lot between the suburbs of Massachusetts. However, it wouldn\u2019t be until 2002, when Gonz\u00e1lez would get the opportunity to work her very first show, Broadway musical \u201cInto the Woods\u201d, after meeting and working alongside Wardrobe Supervisor, Alyce Gilbert.<\/p>\n
Following this great opportunity, Gonz\u00e1lez began learning more about Broadway and the many ways she could contribute to the world of entertainment. Due to her work as a swing (a substitute for the regular dresser) on the show \u201cInto the Woods\u201d this moment led Gonz\u00e1lez to working with Wardrobe Supervisor Linda Lee, whom she would then work alongside for fifteen years.<\/p>\n
\u201cMy connection to Linda has been the lynchpin towards my success in my Wardrobe career,\u201d says Gonz\u00e1lez. \u201cIn my career in entertainment, I have been a box office supervisor in regional theater; a swing, a full-time dresser, and an Assistant Supervisor on Broadway\u201d.<\/p>\n
Gonz\u00e1lez says while working as a swing for two months on shows \u201cInto the Woods\u201d and jukebox musical \u201cMovin\u2019 Out\u201d, during this time she was introduced to the International Alliance of Theatrical Stage Employees.
\nShe added. \u201cAfter 30 days of accumulating the required work hours, I joined the union\u201d.<\/p>\n
Since becoming an IATSE Member in 2002, Gonz\u00e1lez who is an Ecuadorian-Canadian-American says the union has had a huge impact on her way of life as an immigrant in the U.S.<\/p>\n
\u201cAlthough the work hasn\u2019t always been stable, I\u2019ve been lucky that my work has spoken for itself and I\u2019ve been able to work fairly consistently since I started,\u201d says Gonz\u00e1lez. \u201cI\u2019ve had great teachers to show me the ropes and the standards are very high. People live for the magic we create, and it\u2019s been a special experience being in the union. The union has been a great place for health benefits, 401K and workable wage.\u201d<\/p>\n
Gonz\u00e1lez says seeing all the activism from her fellow IATSE Sisters and Brothers during the recent presidential election also made her so proud to be an IATSE member. \u201cIt brought tears to my eyes to see my Sisters and Brothers actively getting involved with the election, spearheading things and union labors being so active. It was inspiring.\u201d she expressed.<\/p>\n
\u201cI became a U.S. Citizen in 2016, just in time to cast my vote in the Clinton and Trump election. I had so many immigration experiences, it was really tough.\u201d she added. \u201cBefore you become a citizen, your right to be in this country is always called into question, particularly: Are you taking away an American’s job? Latinos are lazy. You’re stealing our jobs. How did you get this job? Most of us are so practiced in staying under the radar and not speaking up for not wanting to “rock the boat” or “cause problems”.
\nBeing an immigrant can be painful and isolating for some of us who didn’t necessarily immigrate with any or a lot of family, particularly those of us who work in theater around the holidays.\u201d<\/p>\n
For those fellow union immigrant members, Gonz\u00e1lez says it can feel intimidating as a stagehand, a hair person, wardrobe person, or anyone in so many entertainment sectors but it\u2019s important to take your power back and know that you aren’t as alone as you may feel. \u201cYou belong here\u201d. She added.<\/p>\n
Gonz\u00e1lez says she was also excited to hear about IATSE\u2019s newly formed Diversity, Equity and Inclusion committee. \u201cThe IA has become more diverse over the years and I’m glad it\u2019s happening now, but it\u2019s important that when the shows return, our voices continue to be heard\u201d. She expressed.<\/p>\n
\u201cTouring houses need people of color, there are only a few women or people of color in backstage in general and our wages don\u2019t match our IATSE Brothers and Sisters. A change pay parity needs to be done between wardrobe and stagehands.
\nHowever, there are some people at the top who care and I’m happy and grateful for that. Theatre tends to be an instant family and together we can make it happen!\u201d Gonz\u00e1lez says.<\/p>\n","protected":false},"excerpt":{"rendered":"
Meet IATSE Local 764 member Andrea Gonz\u00e1lez. She began her career in the entertainment industry in 1997, while she was living and moving around a lot between the suburbs of […]<\/p>\n","protected":false},"author":1,"featured_media":818,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[9],"tags":[36],"yoast_head":"\n